Evolution of Shane Howard

Last year I was very excited and honoured to do this assignment for BushTV.   I have always been a fan of the song ‘Solid Rock.’

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Shane Howard, Irish Australian song-writer of ‘Solid Rock,’ and founder of Goanna, has spent a life time trying to understand and distil the collective Australian story.

This journey has been because he strongly believes songs have great power to make a ‘new dreaming,’ for Australia.

“If it’s a song of great power in the contemporary popular era it might filter through and become part of the traditional culture for a thousand years, and not just five minutes – but Australia seems to be living in that very disposable pop world – we don’t value the folk tradition very much here.”

Part of creating a ‘new dreaming’ is the process of uncovering the truth about Australian history, and for Howard his finding of truth has been made possible through Irish Australian parents who were “very open minded, good and just” and instilled in him a love of music and song (from Irish Parlour songs to Bob Dylan, Peter Seeger, Woody Guthrie) and an openness to Aboriginal Australians who he credits with educating him with the truth.

Howard vividly remembers ‘serious questions’ gradually being raised in his mind from meeting with Aboriginal people – from Robert a friend who set next to him for a short time in class in primary school – to all the Aboriginal people encountered on his travels as a youth, with a limited budget, including an old man of the stolen generation.

“I kept running into Aboriginal people and grew more and more interested in the fact they were the real people of this country, they were the traditional owners, the original inhabitants. And that starts to invite some very serious questions – when you’ve been taught all your life that Australia was settled peaceably and there was no blood spilt here. Meeting Aboriginal Australia taught me that was a lie and that you’ve gotta search for the truth.”

His journeys took him to Uluru, the place which was to inspire the words of ‘Solid Rock’ in his twenties.

To read the rest of this article go to  THE EVOLUTION OF SHANE HOWARD

Photo Projects

In the last month I have had three photo assignments.  Small commissions were paid in two cases, and one was a spontaneous request.

Assignment 1: Stills for the project Dance for Recovery  

Photo brief: Capture the Behind the Scenes of Producing dance for recovery performance but without focusing on the face of the participants.

Time Spent:  A day for the photographs, and a day for editing, collating and collaging.  For the video work including the man, y many hours to edit the footage, and an additional afternoon to interview Danielle and have her view photographs and raw footage.

Outcomes: Used snippets from video captures to create photos without the face but with the shadows.  Used many photograps in the video documentary as well to fulfil that brief as well.

Around 80 usable photographs were produced, used slow exposure to blur movement and focus on feet, hands and from waste down, as well as silhouette background.  Did some artistic treatment of photographs.

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Behind the Scenes to Dance for Recovery – June Perkins

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Behind the Scenes for Dance for Recovery

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Behind the Scenes for Dance for Recovery – June Perkins

Dance for Recovery was funded by FNQ Volunteers, Queensland and Australian Governments,  Isay project,  Connecting Community Voices, and involved many volunteers and a small budget for production for contributing Artists.

Assignment 2: Documenting Song Trails for QMF

Photo brief: Capture in around 50 photographs the Spirit of the Song Trails Workshop and Concert for QMF. Also participate in the workshop, so ‘inside the experience’ as well.

Time spent: Three days, also spent evenings photo processing and a couple of hours creating the montages for addition of music created at Song Trails.

Unexpected outcomes: Creation of photo montage projected on the last day then mixed with song by Morganics and also by myself to make a mini music video using photos.

Morganics liked one of his photographs and reposted it.

Took well over 50 photographs, final count about 110.  Documented workshop process, people behind scenes, sharing music, lunch breaks, rehearsal, concerts, variety of portraits, close ups, medium shots, etc.  Also wrote a number of blogs including a guest blog for ABC Open.  QMF very happy with all the work, especially the unexpected extras that just happened.

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Harpist -June Perkins

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Group playing Solo at the Concert – June Perkins

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Musician at Song Trails – June Perkins

Song Trails was brought to the Cassowary Coast and sponsored by Queensland Music Festival, Queensland Government, APRA, Cassowary Coast Regional Council and Kareeya Hydro. It was free for all participants.

Assignment 3: Musical Duo photographs to use for posters

Photo Brief: Take portrait of two musicians that they can make use of for posters when giving joint gigs. Very short amount of time during breaks at Song Trails.

Outcomes: Played with the photographs in applications to create poster like feel, and found photographs taken in concert rather than posed ones might be the best ones to use as they had such a nice feel to them.  Presented these to the musicians as well.

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Musicians – Michelle and Bob – creating photos for use on posters for joint gigs – June Perkins

Reflection:

It would be great to be paid more for photo assignments in the future to cover more of the time and skill spent in taking and editing the photographs and the costs and upkeep of the equipment.

It was brilliant to begin to be commissioned to do work though! And to have such interesting projects to document.

The experience of the work was invaluable to give me learning, ideas, connections, confidence and opportunity.

I found what my strengths where and where I might need to do some more research and learning.  I was intent to pursue excellence even though much of my time was really voluntary as I feel one should always do ones best work in any situation.

I am seriously considering whether to pursue a photography degree in photo journalism or something like that.  I love photography of this nature as it is about telling a story and reflecting people.

I hope people consider budgeting for photo documenters for their projects and value their work,  and consider innovative ways to showcase the photographers work during and after the project.

With the sharing of photographs on facebook and internet the photographer cannot really sell documentary photos of this type beyond the initial commission either so this could be built into the cost of their employment.

Reponse to the montage at the Song Trails concert was great with lots of positive feedback from participants, their family and QMF.

Response to the photographs for Dance for Recovery – they are being used for the aquittal report for the project and the feedback has been positive with particular photographs being favourites.  Many will be showcased in the documentary video.  The show creator requested to especially use a few in her future publicity for dance classes, and placed one in an email she sent out to participants in the workshop.

I need all people commissioning work, both photography and documentary, to allow a greater waged budget for the services, however the projects done have provided invaluable experience and additions to my folio for seeking more work.

I also need to initiate more projects to allow for a better return on the time and passion I put into my work so I can do more of it.

(c) June Perkins

Song Trails in the Cassowary Coast Part 1: Muso Intros

 I am rapt to be guest blogging for Critical Mass.  How fantastic to be part of this project capturing the Queensland Music Festival, as it happens with keen music and cultural appreciators, participants and reviewers from around Queensland.  Thanks  to the very talented Fiona Crawford for coordinating this project. 

This article is being stored here for my records, but please go make your comments at the Critical Mass site, or repeat any comments  over there as that is where all the discussion is taking place.  Check out the other great blogs on the festival and support your blogging team.

Published on Critical Mass  Written by: June Perkins      Date: 29 July 2011

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Peter Farnan warming up before the session begins and having an informal chat (Photo courtesy June Perkins)

Song Trails brought together a group of around 40 people from Innisfail, Tully, and Mission Beach. Many were still in recovery mode from the cyclone but keen to develop their song writing skills.

The workshop was in three sections and went for four hours. I am going to devote two posts to it as we not only learnt tips of songwriting, but went through the amazing process of group creating a song. This proved to be very theraputic for some of us.

I hope at the end of these two posts, you will be excited and understand the process that made it possible for a two groups, lead by our presenters, to create two songs in four hours to contribute to the Sunday broadcast of Song Trails.

Workshop ParticipantsParticipants in Song Trails in the Cassowary Coast (Photo courtesy June Perkins)

Imagine you could listen to skilled songwriters informally explaining their craft by bantering with each other and expanding on each others’ thoughts. Would you go listen to pick up their secret songwriting tips?

Well that is just what 40 excited community members of the Cassowary Coast did on a Wednesday night. We were a diverse bunch, including men, women, youth, mid- lifers, parents, those already in a band, musicians, local Mission Beach performers, those who’d never written a song before, writers without music, and experienced singer songwriters.

We had access for one evening only to seasoned and inspirational Australian songwriters Peter Farnan, Rebecca Barnard, Robert Forster, and (one very new but no less awesome on the Australian music scene) Leah Flannagan to guide us through the process of songwriting.

Farnan, of Boom Crash Opera (a pop rock band formed in Melbourne, Australia, in 1985), began the evening by sharing his own biography. It demonstrated both his longevity and flexibility in the music industry. He currently does musical theatre—not necessarily just writing songs, but also creating soundscapes for the stage.

He teaches songwriting regularly; something he took up after a shoulder injury prevented him from playing his guitar. (It’s a reminder that musicians like sportspeople can sustain injuries that prevent the practice of their craft.)

Farnan performed a song, the title of which he said was going to be obvious because the phrase was repeated often enough. And it was: ‘I am sorry’. He confided that he had never performed this one live, but only on his album. Some of the lines were very clever, such as I am sorry for ‘bad acting’ and ‘coughing with kissing’, and the song had a cool texturing building to a crescendo of sorries and with a surprise ending, which I won’t spoil for you but instead encourage you to listen to the song.

Farnan explained this was a ‘list song’. He then rattled of a list of list songs, including I am the very model of Modern Major General from Pirates of Penzance and My Favourite Things from The Sound of Music. He pointed out that list songs have an obvious coherence to them.

Rebecca speaks as Peter listensRebecca Barnard speaks and Peter Farnan listens and adds stuff (and vice versa) (Photo courtesy June Perkins)

Rebecca Barnard, previously of Rebecca’s Empire, a Triple J Band of the 1990s, grew up in a musical family. Her dad was a jazz musician, so she was always encouraged with her music, although her mum briefly advised her to look at other options.

She  spoke to us about songs born from sorrow and how although she has had many happy moments in life, often the saddest moments, like the break-up with her partner, are what encourage the birth of a song. Some of the panel nodded their heads in affirmation as she said this.

Barnard spoke a little about the ‘pram in the hallway being the killer of creativity’. That is: the challenge of balancing motherhood with creativity. Barnard works a solo artist now and has released the album Fortitude. She played a love song for us that touched upon this theme.

She explained the usual instrumentation of the music as she was going along, ‘there’s normally a clarinet here’. She highlighted that the repetitive phrase of her song ‘You are loved’ as the basis of its structure. Both Farnan and Barnard showed how a song’s words breathe with musical phrasing and breaks—something that was to be later employed by Farnan in one of the group compositions.

Barnard’s advice for song writers was to not be bottled up and to have a ‘whoosh of creativity’, while Farnan said he liked songs which have a ‘commitment to mood’. This was what he found attractive in Barnard’s work. Barnard explained that repetition she used to fear, but she had come to accept with age and experience this was quite okay in songs.

Robert Forster speaks as Leah Flannagan listens
Robert Forster speaks while Leah Flannagan listens to his wisdoms (Photo courtesy June Perkins)

Robert Forster, by contrast, grew up in a sporty family. He was attracted to the guitar at 16 when all of his friends took it up and so he followed suit. He initially loved playing Cat Steven’s songs. He noticed that there were many guitar players who were better musicians than he was, and felt that to have a career he would need to add something to his skills. He became part of the Go-Betweens (Australian band formed in 1978 influenced by Punk) and wrote songs so as to stand out from the crowd.

Forster played a ‘water themed’ song for us. Surfing Magazines had a strong catchy bass riff in between words and a wordless, cruisy chorus (which we all sang along with). It is based on the fantasy of surfing life epitomised by surfing magazines. Forster explained how the compositions of this song began with the musical riffs, chord structure, and no words. He was in Germany at the time. He kept looking for lyrical inspiration. He wondered what would fit the music, but had no luck so he stopped three times to gain relief in his song writing efforts from glancing through a surfing magazine and then epiphany. He knew the song was there all the time right under his nose: it was the surfing magazine.

Forster was keen to tell us how songs often are a truth or detail from everyday life that become stranger than fiction when they are inserted into a song. Farnan expanded on this idea and said that many of the best songs paid attention to ‘details’ that bought the song to life. He said many of his students in songwriting classes bring a description of the song they want to write, which then needs these details filled in.

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Leah Flanagan sharing the September Song (Photo courtesy June Perkins)

Leah Flannagan developed her musical skills through busking and doing lots of covers. She moved between lots of musical styles, and was able to work out what she enjoyed by doing this.  She is involved in a group of Indigenous performers called Black Armband:

The mission of The Black Arm Band is to perform, promote and celebrate contemporary Australian Indigenous music to the highest possible professional standard as a symbol of resilience and hope in the spirit and action of reconciliation.

(From Black Armband website)

Flannagan grew up in Darwin and shared that her songwriting has a strong sense of her home and surroundings in it. The song she shared with us, by contrast to Forster’s, was written quite rapidly, and only took an hour. But Flannagan explained that is something that can happen with a song sometimes it can just come into being quickly.

Flannagan started the song’s composition playing her guitar, but then switched to her ukulele and then it just happened. For Flannagan, writing from what you know is a great place to begin songwriting. She demonstrated this in her upbeat ukulele song describing the Darwin sunset and the observing the ‘softened silouettes’. It has such a relaxed feel, which is embodied in the choice of instrument and her upbeat strumming of it.

Flannagan’s happy song caused discussion and praise from among our panel of songwriters. They felt happy songs are difficult to write. Farnan commented that Leah showed how much we can learn by singing covers, as we are deconstructing songwriting styles as we cover other people’s work. The challenge, however, is to develop our own writing style and structures as she has managed to do.

Barnard then added that with set chord structures within music often songs can sound similar to other songs when there was no intention for them to. This can be a challenge within the form but it shouldn’t stop anyone from writing songs. And with that our first session came to a close.

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Participants mulling over sound advice from the song writers (Photo courtesy June Perkins)

If you see yourself here or in the flick sets and want a copy of the pic, contact June Perkins.

Top 10 Tips for Songwriters from Song Trails:

  1. Start from what you know.
  2. Get it all down: ‘whoosh’.
  3. Inspiration can be sitting right under your nose, and it can also come from sorrow and nostalgia.
  4. You can structure a song around a list about something, like reasons you are sorry.
  5. You can begin with the music and go looking for the words that match the mood of the music you are playing. You can also match the instrument to a song to create mood.
  6. Real life can seem stranger than fiction when you put it into a song, but songs can also be invented and not something biographical.
  7. Deconstructing other songs by covering them as a singer can help you understand songwriting.
  8. It’s important to develop your own style.
  9. It is fun to experiment with different styles and genres (jazz, pop, folk, country) until you find one or more combined that become your own style.
  10. Pay attention to ‘details’ in songs.

I thoroughly recommend the Song Trails workshop to anyone contemplating it in future. Will be back soon for the next blog to explain how we made the group song. Wow, that was so exciting!

To view pictures of the Song Trails workshop, visit Song Trails

You can visit June’s blog Unity’s Garden or catch her at Aftermath’s ABC’s Open Project. This blog will also be stored  at Unity’s Garden as a record of her growing guest blogging gigs. :)

Electric Guitars, Umbrellas, Cricketing Legends and Bouncing Back

This post was published after the  Yasi Bounce Back Concert back in April 2011. 

In June Phil Emmanuel returned to Tully.  You can find out more about why and what happened on my upcoming ABC open guest blogs (the return visit is not published yet but will be soon).

For now read all about clean ups,  farewells, and tupperware houses  as well as other stories and videos in the AFTERMATH project.

Electric Guitars, Umbrellas, Cricketing Legends and Bouncing Back

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Phil Emmanuel in flow

Electric guitar sounds out through the rainy night. Pink images of the guitar man in flow seen through a lens that needs more white balance and connoisseurs of guitar lap it up. Chariots of Fire, Sultans of Swing, A James Bond Medley, Going Home… the rain pounds harder. Two young ladies with pink umbrellas and transparent raincoats dance in the rain with their beaus. Two ladies sit under umbrellas swaying along to the music. Phil Emmanuel sways back. ‘It’s a quality crowd, although there’s not many of you, ’ he says. And in tribute to that quality, he gives quality back.

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Rewind, earlier, I am searching through the crowd for my family. Somewhat distracted by my photographing I have lost sight of them, in the flow of set, see, special moment, and click. I know they are on a quest to find Phil Emmanuel and have him sign their guitars. Youngest has been carrying his guitar around all day just for this purpose. I run into a work colleague of my husbands, and his family – they suggest they may have gone to the ‘green room.’ So I head in the direction of the show ground’s green room. They are coming towards me, my family, and beaming. Youngest shows me his guitar. I have missed their special moment, but I hear all about it. Phil tuned youngest’s guitar, so fast, checked it, tuned it, in an instant it was tuned. My hubbie says he has never seen anything like it. ‘He tap tuned it.’ Youngest played something for Phil and he encouraged him, asked him when he started to play guitar. ‘Eight’ announced youngest. Good on you said Phil. Eldest, well he was shy, but did get his guitar signed, and watched as youngest lapped it all up. Hubby had a conversation with Phi.l Asked him where he grew up and a few other words I have yet to find out.

Rewind even earlier, we had managed to get the facebook of Phil’s manager, and asked her ‘Can we just go up to him,’ ‘sure, down to earth, very approachable,’ she replied. So we knew the grand master of guitar was not going to be a person to send us away. Still we needed that reassurance as we didn’t want to upset his guitar work by approaching him at the wrong time. We know musicians need creative space.

Now going forward again, I am sad I have missed this special moment, but later youngest, comes and grabs me, ‘please photograph me with Phil Mum.’ He is tapping me on the shoulder as I am talking to Graham Connors, a wonderful singer song writer who I am just thanking for sharing his songs with us. He commands $100 tickets to concerts and has come all this way just with airfares and accommodation to cheer us all up! He has played a riveting song,’ Cyclone Season’, which he checked with organisers would not be too painful for us all, as well as ‘Pacifica’ with audience participation and some of his other hits like ‘Let the Cane Burn.’ He is sitting in the grandstand with Anne Kirkpatrick, daughter of Slim Dusty and some other friends or family. It is all so surreal. He is talking warmly with volunteers for the event. He seems to be lapping it all up, maybe he is writing a song even now.

But I must leave this conversation, it’s time to complete youngest’s quest, now he has to have his photo. We go back to the green room – serendipity- Phil is having a photo with someone. He looks up smiling ‘There’s ……. again…’ The moment is posed, the photograph take, click, freeze, capture, and now gone. My youngest is so happy!! This is his moment to remember and he is in guitar boy heaven.

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My youngest gets guitar hero signature and photo

Later back at the scene of Phil’s playing, youngest is under a yellow umbrella inching closer and closer so he can see the handiwork of the master. He is beaming with each piece, and pleased he knows their names. He calls out to me what each is…

To think he was tired and wanted to sleep and almost did fall asleep, but we knew he had to be up for this performance.

This is the highlight of the Yasi bounce back concert for my sons and my hubbie. But there is so much more in the experience to unpack.

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Jeff McMullen with youngest and my hubbie

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There is the memory of me and my hubby yarning with Jeff McMullen, and presenting him with an anthology. Turns out Jeff knows Anita Heiss quite well, I met and interviewed her whilst doing my doctorate and she was close enough to come to a family bbq where close friends and family celebrated the completion of my own Phd. She’s a fabulous person, author and advocate of Indigenous literacy. I have been going in online writing sprints that she has organised for writers feeling like they need a bit of extra inspiration. I take pictures of him with my hubby and youngest – who is really enjoying the whole experience. He doesn’t really know who Jeff is, but he knows we have a lot of very famous and talented people in town. Jeff tells me about a film he has made that is on line, and of his dream that reconciliation really happens at a deep level in this country – and that Indigenous people have equality. We speak about all the mixtures of backgrounds within families.

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Hayley Warner and guitar friend, absolutely brilliant!

Then there is mercurial Hayley Warner who was the second opening act. So humble and yet belting out the tunes with effortless power. She sings some songs of her own, and ‘Mr President’ by Pink and Divinyls, ‘Fine line between pleasure and pain.’ At one point she stops to notice a lady in the crowd dancing. ‘you dance much better than me, beautiful (later the audience member is cornered by security as it turns out she has been disregarding the no alcohol rule.). Hayley begins an impromptu version of Abba’s ‘Dancing Queen.’ It isn’t planned but natural and as if we are sitting in her lounge room and she’s mucking around. Extremely self deprecating, but immensely talented is my overall impression of her. I want my kids to have her joy in life and in her own talent.

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Hayley with my daughter - they were big fans on Idol- glad we got to meet her.

Haley is accompanied by a single guitarist, a childhood friend and she is energetic and caring. ‘Anyone with lost ones, my sympathy, ’ she says. Now there would only be a few people who were affected by an actual death, however tree, gardens, and moving away from the area friends, are all lost ones.

When Hayley has finished, Jeff McMullen, who has asked everyone why they came to do the concert to fulfil his compere, reporting duties, thanks Haley and lets us all know there is wandering retired cricketer Damien Martyn around, and we can go and see him at the Westpac Tent. So we do. My youngest in what will be one of three significant photographs of the day loves meeting Damien and much to my surprise we have a bit of a chat about the cyclone, and how my youngest son kept his fear in check by getting updates on the cricket score. Damien wants to check what game that was and now youngest is engaged and chatting, and mentioning his own cricket escapades for his small school. He is a talented little sportsman and won the sports award for the school last year for boys. How many talented cricketers have come from little country towns, and gone on with big hearts!

I take a picture of Damien with my youngest child, and then something really impressive happens, Hayley has been listening to the story I have been telling Damien, and she comes up to us and says, ‘June do you want a picture with your little boy?’ ‘That’d be great’ I reply and so we take one. She is squeezing his cheeks and mucking up like a bit kid. What an awesome chick, she really is what the tv showed, a cool girl with a big heart and a big voice! My daughter is really pleased to have a picture with Haley too, my kids were avid followers of her on idol and to have her here in Tully is something special. I thank Hayley so much!

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With Cricketing Legend, Mr Martyn and my youngest getting to meet so many amazing people.

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Tully Times come and take a picture of the whole family with Damien. I am so hanging out to get a copy of that one!

Catherine Britt, a massive country star, prior to her performance is flanked by body cards, and a girl in a green cyclone yasi tshirt worn as a mini dress. She is obviously country royalty and I have seen her on the tv. She’s on the front page of the Tully times. She doesn’t like to do too many Charity gigs, but this was something to come and cheer people up so here is she is. She seems distant, going into her performance zone, meticulous about sound checks, voice sweet and real country in style but she is warm and caring as well. At one point she invites some of the audience up onto the stage, and they sing and dance with her. She manages that space, also with a single accompanying guitarist, like Hayley, and fills it with her kind of music.

More memories and I am seeing a dancing crowd, doing trains with friends, swaying, singing, people speaking warmly with Jeff McMullen and an audience that changes, as some people go home, change into dry clothes and then come back or don’t depending on their taste in music, their kids patience, and their resilience. It’s not a big crowd as Phil as pointed out, but it is an appreciative one.

People loan rain coats, tents, and play with and amuse our children. My daughter runs in the rain with some caring high school girls who watch her drawing and colouring in the grandstands when we were taking a break from the mud, rain and wet. They listen to my boys playing guitar, also when they needed a break from the twelve hour marathon of the day.

David Hudson, awesome didge player, has some jokes my husband appreciates, files away and retells. I think he needs to do his own blog of the day though! High school band what a roar from parents and fellow high schoolers. They are rockin’. They are enjoying themselves.

We are treated to free pizzas, and sausages, and presents of toys for the kids. We speak to so many people. They are bedraggled, wet, but smiling. We get bogged at one point when we leave the concert to go home briefly to all get changed and find umbrellas.

Bounce Back felt like a special party just to celebrate being alive – it encouraged us to sing, dance, play be happy and be in community.

(c) June Perkins, all rights reserved, words and images.